露露藝品社：居家良伴 - 謝佳瑜個展
LULUGOODS:BFF (Best Figurines Forever) - Hsieh Chia-Yu Solo Exhibition
▎時間：2025/07/26（六）- 09/07（日）
▎開幕時間：2025/07/26（六）15:00
▎公休：每週三四 (Closed on Wed & Thu)
▎地點：台南市中西區民權路二段64巷56號3F
▎藝術家：謝佳瑜 Hsieh Chia-Yu
▎主辦單位：應力空間、土星工作室
▎指導單位：國藝會
▎展覽介紹
延續〈露露藝品社〉（2024）創作計畫，本次將以居家擺飾作為主軸，透過動物藝品的造型特徵與其在家庭空間中的佈局，思考人、動物與物件之間微妙的關係。過去，「家庭和睦」、「幸福美滿」等意象，往往與這些動物藝品緊密相連。我試圖擷取這些鮮明的象徵意涵，並重新轉化為各種家庭擺飾，進一步想像一種理想化的居家裝飾情境。當動物藝品再次被置入居家視野，它們在各自的位置上，會如何成為生活中的「居家良伴」？
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Following the 2024 project LULUGOODS, this new installment shifts focus to home décor, exploring how animal figurines—through their stylized forms and strategic placements in domestic settings—reveal the subtle dynamics between humans, animals, and objects. Traditionally, these figurines have embodied ideals like “family harmony” and “domestic bliss.” By reinterpreting such symbolic meanings, the project reimagines home accessories as carriers of cultural longing, offering a vision of an idealized interior space. Reinserted into the home, these animal figures become more than mere decoration—they emerge as BFFs (Best Figurines Forever), quiet companions that shape and reflect everyday life.
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《露露藝品社》（2024）
早期台灣代工產業發達，曾經量產過一批卡通造型的動物擺飾，材質以陶瓷及石膏為主，隨著產業型態的轉變，盛極一時的外銷產業也隨之沒落，這些過氣的動物被遺留在不顯眼的歷史角落。我透過一間假想的「露露藝品社」，重新去回溯整個產業的故事，從如何生產開始，發展一系列關於成功培育品種動物的經驗，以此建構一個虛擬的生產線，在這個敘事裡量產動物藝品對應著育種，經過一連串嘗試及修正，為的是從中精煉出最優秀的動物擺飾，並主張「一個完美的家不能沒有藝品」，這是一個理想的家庭生活典範，用幽默詼諧的口吻，闡述一段無法被驗證的想像。
LULUGOODS: BFF (Best Figurines Forever)（2024）
The original LULUGOODS project drew inspiration from Taiwan’s once-thriving manufacturing industry, which mass-produced cartoon-style animal figurines in ceramic and plaster during its export boom. As industry trends shifted, these whimsical creatures were gradually abandoned, relegated to forgotten corners of history. Through the fictional narrative of LULUGOODS, the project retraces this industrial past by imagining a production line dedicated to the "selective breeding" of the perfect figurine species. Each object becomes the result of careful experimentation and refinement—part of an absurd yet affectionate system that claims: “A perfect home is incomplete without figurines.” With a playful, satirical tone, the exhibition constructs an unverifiable origin myth—one that both celebrates and critiques the pursuit of domestic perfection through objects.
▎藝術家介紹 Artist Introduction
謝佳瑜
1998年出生於臺北。畢業於國立臺北藝術大學美術學系研究所。創作形式主要為繪畫、雕塑、影像等複合媒材。關注於台灣早期美學風格，以挪用、拼貼、重組等方式作為敘事手法，試著描繪縫隙之中被遮蔽的異質性，製造另類奇觀。近期著重在研究台灣早期外銷陶瓷產業，透過收藏，田野調查及影像紀錄，持續進行中。曾榮獲「臺北美術獎」優選（2024），「洪建全基金會－雨棚計畫」(2024)、「第六屆當代雕塑麗寶創作獎」(2024)等。曾在臺北君悅酒店「Art Future藝術未來」(2024)、臺南應力空間「等登燈」(2023)、臺北王道銀行「N家庭的珍奇櫃」(2023)、高雄駁二藝術特區「很慢．現挽hiān-bán」(2022)等展覽發表。並收錄於丹麥藝術團體Tofu Collective新書〈Typhoon: In the Eye of Taiwan's New Artistic Whirlwinds〉。